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This abrasiveness only draws one closer into the track holding their attention like a vice until the experience drifts away. These transitions are evident in tracks “Enth” and “Char,” but in no way do they push away their audience.
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They float out of lovely chorus and into an industrial grinder that makes the listener cringe with excitement like the precipice of a roller coaster’s first drop. What producer Ethan Kath has created is beauty with just the right amount of ugly to make his sound unforgettable. Each track comes across as if two songs had been played on top of one another and for some unknown reason the final track produced is masterful. This marriage of sounds is the intrigue that grabs the listener’s attention.
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Amnesty (I) falls somewhere between the laser dreamscapes of Com Truise and the electro-punk of The Bloody Beetroots, and becomes an addicting serrated edge that tears through the speakers with an inexplicable softness. Though some believed that Glass’ absence would be the end of Crystal Castles, Frances fills the void perfectly and the previous vocalist is hardly missed in this dynamic. This album will be the first produced with new vocalist Edith Frances after Alice Glass’ departure for a solo career. For those who had fallen in love with the contrasting sounds for which Crystal Castles has become known, their new album Amnesty (I) will quench any thirst for more.